Electronic music by tag and subgenre
Ten BPM separate the first two cuts: Pete Hill's take on 'Not Enough' breathes at 118, then 'Time Goes By (P4sc4l Mix)' jumps straight to 128, the highest reading on the whole record. That opening zigzag is a fair warning:...
The Black Edition is the most interesting detour Yellow Sunshine Explosion has allowed itself — a label long associated with goa and psychedelic trance compilations. The series launched in August 2025 as a "fusion of progressive trance and...
One name accounts for a fifth of this compilation: Gorkiz writes, co-writes or remixes four of the twenty cuts on 'Enhancing IBIZA 2026'. The Brazilian from Sorocaba, founder of the Transensations label, is the thread Spiritual Enhancer —...
Fifteen tracks and not a single label repeated: the chart D Stone signs for Beatport Next 2026 doesn't portray a catalogue, it sketches a constellation. Stuck in Time, Dansu Discs, Batty Bass, Poontin Muzik: every cut arrives from a different...
Five BPM separate the slowest cut from the fastest in this selection: from 'Get Loose' at 120 to 'Luminary' at 125. With twelve of the twenty tracks locked at 122, the pitch fader is almost decorative here; the set gets built...
The journey opens in Db major with 'Psychodelia' by Ezequiel Arias, the Córdoba-born producer shaped under Hernán Cattaneo's wing, with several Beatport progressive number ones to his name. Its 125 BPM on Anjunadeep sets the pulse for...
The defining fact of 'Nothing But... Radiant Grooves, Vol. 17' sits between tracks 1 and 3: Aka Gabby's 'Call Home' opens at 127 BPM — the fastest tempo on the whole record — and two slots later Malik B.'s 'Sensual...
Forty-five of these sixty cuts live between 121 and 123 BPM. That is not laziness: it is a plateau built on purpose, the band where progressive house does its work once the floor stops asking for lifts and starts asking for depth. The peaks exist,...
There's an odd, gutsy decision sitting at track four of this volume: after three melodic house cuts running between 122 and 125 BPM, 'The Fall' by Yannek Maunz, carried by Johanson's voice, slams the brakes down to 81 BPM. Heard...
There is a moment on 'Atmospheric Creations Vol. 6' where harmony does the scriptwriting: 'Fiction' by Talal Bazzi turns in B-flat minor, and 'Reality' by Henson and Mike Gannu answers in D-flat major, its exact...
Between track 1 and track 51 sits an 87 BPM chasm. 'Serendipity', Armin van Buuren's collaboration with Andrew Bayer, is listed at 68; 'Bounce Ritual', 'Batida Viva' and 'Vem Comigo' hit the ceiling at...
There is a figure on 'New Reality (Suanda 500 Anthem)' that looks like a typo and works like a statement: 70 BPM, exactly half the 140 stamped on several neighbouring cuts. That metadata wink sums up this compilation better than any press...
One hour and sixteen minutes: that is 'Beach Feelings', the session opening this triple journey — deep house at 120 BPM in E minor, sand and salt before anything happens. 'Pool Party Grooves' follows, climbing to 125 and setting...
Eight of the ten cuts on 'Origins V1' breathe between 120 and 126 BPM, and that narrow band defines the record's character: no abrupt steps here, just swell. Sean McClellan opens with 'Consciousness' at 122, a major-key...
Only one of these eight cuts lives in a minor key: Venao's 'Psychoactive Wash', 7:20 of C minor that is, almost by definition, the set opener. A curious paradox for a catalog called Protagonist Dark: the rest of the volume moves...