Others
An open window to musical diversity beyond pure electronica's borders. In this category, we've gathered an eclectic collection ranging from rock's energy and pop's brightness to jazz's elegance and the infectious rhythm of funk and soul. It is the ideal place for those looking to explore new sonic horizons or simply enjoy the classics that have influenced contemporary music. Endless genres await you to complement your listening experience with an inexhaustible and surprising variety.
Forty edits credited to Cheyenne Giles and his remix partners — Kling, Nxsty, Kelland, Knock2 — sketch a tonal map that leans hard into minor: of the 40 keys logged across the chart, 29 are minor and only 11 major, nearly three to one, and that...
The chart's track order isn't its mixing order. It opens at 130 bpm with "Fiesta Loca" (Molella, Botteghi, Ali Selecta), climbs even higher on the second cut — 138 bpm on "Me Chama," the highest tempo across all ten...
Sacred Afro House, Vol.02 is arranged around a 117–126 BPM span that avoids large breaks and reveals a selection built through continuity. Safi Amara opens with “Nakosepela na yo na kati ya molili”, at 117 BPM, in G minor and running 3:49: it is...
The central feature of Ibiza Opening Summer Edition is a tightly focused tempo architecture. PornoStar Records keeps most of the material in funky house, around 126 and 128 BPM, with house and nu disco/disco entries expanding the vocabulary without...
Afro Rhythms, Vol. 11 gathers its greatest density of data between 120 and 124 BPM. Fiddla, Kollipo with Jennifer Keendy and David Ramano are listed at 122 BPM; Paco Nunez with Leonie Williams, Nesco and Vegas 86 sit at 124. Kutullo Nawa, LAZYROXX,...
Elements concentrates its information around one credit: Hypnologia appears on every piece, all classified as Ambient / Experimental and released by Ubertrend Records. That unity of artist, label and genre contrasts with a map of durations, tempos...
A curve from 145 to 164 BPM doof for life 2 forms a 33:26 sequence on doof under one classification: Hard Dance / Hardcore / Neo Rave. It begins with Lewis Laite's “Bass So Loud” at 160 BPM, in F major and running 3:53, then moves to...
Eight originals from 67 to 140 BPM The Fragile Hours groups 39:15 of Phaeleh material for Undertow, with every piece identified as an Original Mix and classified as Dance / Pop. “Nightfall” opens the sequence at 7:42, 81 BPM and A major; it is the...
Tempo changes at the core of Evolution On Evolution, Squazoid is credited on every piece and Liquid Sound Design is listed as the label throughout, yet the repertoire’s data draws a tempo movement that does not follow a rising line. “Kindness...
From 'Oogie Boogie' to 'Saecularhythmia–The Rhythmanalyst relates to semiocoustic reason.': the distance between the album's most playful title and its most scholarly one holds the entire Speaker Music project. Synoptic...
The opening move of 'BAGS INC' makes it clear that tempo here is not a staircase but a coiled spring: '80 DREAD' starts at 106 BPM over a deceptively placid C major, and 'RESISTANCE RETREAT' leaps straight to 150 with...
Seven minor keys against six major ones: 'Somnia PT1' splits almost evenly between shadow and light, and that push-and-pull is the record's real argument. Yo Speed opens in B-flat minor with 'I will never forget', the...
No DJ would program a set like this: 130, 115, 132, 106, 128, 143, 124, 88. The tempo curve of 'VICTOR' doesn't draw a ramp, it draws an EKG — and that's the statement of intent. This is Victor Ruiz's debut album, released...
Fourteen major keys against eleven minors: the harmonic map of this eighteenth volume tilts toward light before a single note plays. D major works as base camp — it shows up four times, from Thom Loser's 'Antenatikus Club', which...
'Music For Haunted Souls' opens at 107 BPM, a strangely restrained tempo for a record called Electron Rave: Vasylchenko Psy spends almost nine minutes laying the groundwork before the compilation bares its teeth. It doesn't take long:...