Mainstage
The chart's track order isn't its mixing order. It opens at 130 bpm with "Fiesta Loca" (Molella, Botteghi, Ali Selecta), climbs even higher on the second cut — 138 bpm on "Me Chama," the highest tempo across all ten...
On The Reggae Album, the decisive information is not a single speed but the way Raz arranges shifts in BPM and key. The pieces appear on Regroup Records and span Breaks / Breakbeat / UK Bass, Psy-Trance and Mainstage. Your Voice opens at 132 BPM in...
'Energy' arrived on this record with its story already written: it was one of the most sought-after unreleased tracks of the 2025 festival season, with support from Alesso, Pete Tong and Tiësto documented by Beatportal before the label...
No DJ would program a set like this: 130, 115, 132, 106, 128, 143, 124, 88. The tempo curve of 'VICTOR' doesn't draw a ramp, it draws an EKG — and that's the statement of intent. This is Victor Ruiz's debut album, released...
Fourteen major keys against eleven minors: the harmonic map of this eighteenth volume tilts toward light before a single note plays. D major works as base camp — it shows up four times, from Thom Loser's 'Antenatikus Club', which...
'Tenebrys' opens the album at 82 BPM in F Major, and that number is already a statement: it carries a peak-time techno tag while running at half the tempo the tag implies. Gianni Parrini, DJPool75 and SAIMON LIVE put the chant ahead of the...
Nine BPM of headroom —123 to 132— is all Volume 017 of Bhaskar's series needs to draw a perfectly legible energy curve. 'Fit The Tempo' by Yves V and Viktor opens at 130 in D-flat major, a compact 3:29 that works almost like an...
Two of the twenty cuts here carry Alexander Popov's signature, and that is no accident: Interplay is his label, founded in 2017 under the Armada Music umbrella and running as an independent company since 2020. He shows up on two main-floor...
Skrillex's fifth album dropped without warning on June 5, 2026, and as Wikipedia documents, much of the material had been circulating as unreleased IDs in his sets since 2021 — hearing it in sequence means replaying five years of DJ booths in...
The warm-up writes itself: an Afro block at 120-122 BPM — 'Jamaican (Bam Bam)', 'Ma Tnsani (Yalla Habibi)', 'Mwaki' and Keinemusik's 'Move' with Camila Cabello — heats the floor without burning...
Layla Benitez signs two of the thirteen cuts on her own Marquee Dayclub chart, and that double presence says more than any press blurb. 'Memory Leak', shared with Jono Stephenson and Henri Bergmann on Interstellar Recordings, opens the...
Three generations of headliners share these twenty cuts, and the roster explains why the selection holds together. Nicky Romero opens with 'Freak', a track that made the rounds at Tomorrowland Brasil, Ultra Miami and Don't Let Daddy...
The label field on 'Game Time' by Future and Tyla doesn't read like a record company: it reads FIFA World Cup SalXCO. The same imprint signs 'Echo' by Daddy Yankee and Shenseea, and that detail unlocks the whole compilation:...
Eighty-nine beats per minute separate the extremes of this seventeenth volume: ACTYVA's remix of P4sc4l's 'The 5th Season' crawls along at 69 BPM while Noa Estrella's 'Mirame' rockets to 158. In between, most of...
Two minutes and seven seconds are all Dropheadz needs to open the door: 'The Drum', in D minor at 125 BPM, is pure welcome-mat percussion, no detours. 'Here I Am', the instrumental from Sean Norvis, Copamore and Larisa Mester,...