Electronic music by tag and subgenre

Layla Benitez signs two of the thirteen cuts on her own Marquee Dayclub chart, and that double presence says more than any press blurb. 'Memory Leak', shared with Jono Stephenson and Henri Bergmann on Interstellar Recordings, opens the...

Three generations of headliners share these twenty cuts, and the roster explains why the selection holds together. Nicky Romero opens with 'Freak', a track that made the rounds at Tomorrowland Brasil, Ultra Miami and Don't Let Daddy...

Eighty-nine beats per minute separate the extremes of this seventeenth volume: ACTYVA's remix of P4sc4l's 'The 5th Season' crawls along at 69 BPM while Noa Estrella's 'Mirame' rockets to 158. In between, most of...

Two minutes and seven seconds are all Dropheadz needs to open the door: 'The Drum', in D minor at 125 BPM, is pure welcome-mat percussion, no detours. 'Here I Am', the instrumental from Sean Norvis, Copamore and Larisa Mester,...

Nine and a half minutes of acid trance at 163 BPM against a two-minute-eight flash: between 3NV3LOP3's 'Dancing On Acid' (Remix X) and Fahjah's 'Vamos' sits almost everything this eighth volume has to say. The former is...

Out of the twenty-five cuts on this volume, three are enough to understand how it breathes. The first is 'Move', the opener: Ruslan Radriges and WhiteLight dispatch 138 BPM in G minor in under three minutes, no courtesy intro. Radriges is...

Six cuts in C minor spread across these 25 tracks, and that stat, trivial on paper, is gold behind the decks: it lets you chain half a set without leaving the harmonic lane. Cam Lasky's 'Ghost Dubbing' opens the batch at 88 BPM, a C...

'WAREHOUSE SWEAT' doesn't ask for permission: CRUNCHY CA$HEW opens at 140 BPM in E minor, four minutes of warehouse sweat that set the bar before anything else plays. Right after comes the journey's first real landmark: Frankie...

Go straight to track 23. 'Wavey', the tune Eli Brown turned into the official EDC Las Vegas 2025 anthem, appears here in the Charlie Sparks (UK) rework, part of the remix package Insomniac Records put out in December alongside versions by...

The mission begins before the peak The detail that organises Mission Underground appears at the start: Paul Oakenfold’s “Continuous DJ Mix” runs for 56:04 at 130 BPM in A minor. It is more than a prologue; it establishes a continuous frame before...

Three of the fifteen cuts carry AMINTO's name, which makes this volume his home turf: he signs 'No Excuses' on his own and hands two more tracks over to outside remixers. Those two remixes are the best clue to which names hold this...

There is a figure on 'New Reality (Suanda 500 Anthem)' that looks like a typo and works like a statement: 70 BPM, exactly half the 140 stamped on several neighbouring cuts. That metadata wink sums up this compilation better than any press...