The chart's track order isn't its mixing order. It opens at 130 bpm with "Fiesta Loca" (Molella, Botteghi, Ali Selecta), climbs even higher on the second cut — 138 bpm on "Me Chama," the highest tempo across all ten tracks — and then cuts dead: "BAHIA" drops to 94 bpm, a 44-beat fall, the sharpest break anywhere on the list. There's no clean transition between tracks two and three as they're actually sequenced.
From there the tempo rebuilds in stages. "Muchachos, Ahora Nos Volvimos a Ilusionar" climbs to 115 bpm, still well short of the record's real center, and only on track five — "Unique Moment" by Volkoder and CamelPhat, at 128 bpm — does the chart settle into the zone it holds for the rest of the ride: 123, 128, 124, 124, and 128 bpm across the final five cuts. That stretch, five through ten, is the only part of the chart that stands on its own, with no jump bigger than 5 bpm between neighboring tracks.
Resequenced for the booth, this material asks for a different logic: "BAHIA" (94 bpm) and "Muchachos" (115 bpm) work better as a low-intensity opener than as tracks three and four after a set that just hit 138; the 123-128 bpm block — "Amore en la Pista," "La La Land," "I Love U," "Loca," and "No Rise Again" — holds up as the mixable core, running through Afro House, Tech House, and House without friction; and the two Dance/Pop peaks, "Fiesta Loca" and "Me Chama," land better as a finish than an opener, where there's nothing higher left to collide with.
Put another way: the chart has the material for a full arc, 94 to 138 bpm, but presents it backwards, dropping its lowest point right after its highest.