Electronic music by tag and subgenre
Thirty-four of these forty-six cuts live in minor keys. That figure, before any big name, draws the record's emotional landscape: danceable melancholy, the dancefloor saudade Ibiza has practised for decades. The opener states it plainly: Mystic...
Five of the thirty cuts on 'Golden Selection' carry Giuliano Rodrigues' name, and that's not founder vanity: it's the key to reading the whole thing. dublucid, the label the Brazilian producer launched in 2024 as the...
Twelve minor keys against two majors: that is the first deliberate imbalance in 'Sunset Ritual Ibiza Vol. 1', and far from the only one. This RH2 collection squeezes its tempo into a five-beat window —from the 120 BPM of 'Ni Roi Ni...
Fifteen tracks and not a single label repeated: the chart D Stone signs for Beatport Next 2026 doesn't portray a catalogue, it sketches a constellation. Stuck in Time, Dansu Discs, Batty Bass, Poontin Muzik: every cut arrives from a different...
Sixty-eight against one hundred and thirty-three. Within one festival-minded deep house selection, Maya Jane Coles' 'Dreamz' — a G major half-tempo drift at 68 bpm — sits next to the gallop of Rossi.'s 'Home', which...
Five cuts in A minor and four in B-flat minor: before hearing a single bar, the key readout already suggests how to chain a good chunk of this thirteenth volume. For the first hour, the material sits in the lower band: Phumudzojack and...
There's a curious decision built into 'Summer Sessions 2026, Vol. 1': the record runs its own route twice. The first lap, from the opener through track ten, travels almost entirely in club mixes; the second retraces the course in...
One detail reshuffles how you read this WMB compilation: four of its thirty cuts come from the same man. Florence's Giacomo Bisciarri — whose Deezer profile confirms that Bsharry, Mutehead and Jaques Le Noir are one and the same — appears under...
In a thirty-track chart where almost no name repeats, the exception tells the whole story: Fred Everything shows up twice. First he signs 'Good Night' with Atjazz on Lazy Days Music, the label the Montreal producer founded in 2005 and one...
There's an odd, gutsy decision sitting at track four of this volume: after three melodic house cuts running between 122 and 125 BPM, 'The Fall' by Yannek Maunz, carried by Johanson's voice, slams the brakes down to 81 BPM. Heard...
Some guest appearances read like a statement of intent. Josh Wink, the Philadelphian who founded Ovum with King Britt in 1994 and signed the half-million-selling 'Higher State of Consciousness', turns up here with 'NGF': no acid...
Only one cut on 'The Workshop Evo One' dares to sit in a major key: 'Desire', Muzungu's opener, spins in C major at 125 BPM while the other four sink into minor territory. That imbalance reads less like an accident than like...
One hour and sixteen minutes: that is 'Beach Feelings', the session opening this triple journey — deep house at 120 BPM in E minor, sand and salt before anything happens. 'Pool Party Grooves' follows, climbing to 125 and setting...
Five cuts, one exact staircase: 126, 128, 128, 130, 130. 'Fresh Cuts Vol. 4' arrives sequenced the way a cautious DJ would build an hour, and there is a reason: Dobar House started in Zagreb in 2016 as a club night run by Tom Bug, one of...
The biggest name on this volume takes up the least space: Demarkus Lewis signs 'Feed My Vibe' as a 3:37 radio edit, the shortest cut of the six. The Dallas producer has more than 1,500 credited tracks, has run his own Grin Music label...