Techno (Raw / Deep / Hypnotic)
Ame Records Fall Mix 2026 gathers several club-music routes around one shared fact: most of the material moves between 123 and 128 BPM, even as its classifications shift among progressive house, melodic house & techno, afro house and two techno...
Echoes (Remaster) arranges Alexander Kowalski’s catalogue around a specific tension between lower-tempo pieces and a techno core set between 127 and 137 BPM. Its opening is not a conventional entry into the faster section: “My Dear (2026 Remaster)”...
Jacker’s Delight VA Vol. 9 uses the Techno (Raw / Deep / Hypnotic) tag as a broad frame for a programme with pronounced tempo extremes. UKR Special Series gathers data from 69 to 144 BPM, although the strongest concentration sits between 130 and...
A route from 123 to 140 BPM Continuum Techno brings together several classifications under Underground Roof Records and begins with its highest tempo value: Brutal Rich’s “F-N-S” is listed at 140 BPM, in F minor, with a running time of 4:22. The...
Seventy beats per minute against one hundred and forty-six. 'Bella' opens 'New Life' at 70 BPM in A-flat minor, a half-time pulse that gives away nothing of what follows: the other nine cuts cluster between 139 and 146. Ellen...
Fourteen of the eighteen cuts on 'Ionosphere, Vol. 5' sit in a major key. That single fact defines the record's character before you hear a hi-hat: this is not cave-dwelling psy-trance but a luminous landscape, framed with what feels...
Industry Of Death is three IB13 songs told two or three times over: "Different Route" shows up in three versions, "Sector 13" in two, "Machine Language" in two, plus the title track that closes the record with no remix....
Ken Ishii shows up twice on Technoid Structure Vol. 1, and each appearance says something different about the record. As a remixer, he takes SUDO's "Domain" and stretches it to 135 BPM in G minor, the most aggressive point on the...
Seventy-one bpm against one hundred forty-five: that's the gap separating Finalversion3's “Mal de Ojo” from SERA J's “Bionic Function,” the track that opens “Veta 001.” Ten producers, one label, one genre tag — raw/deep/hypnotic...
Windmill is the longest track on “Complexion” — 6:29, G Minor, 129 bpm — and also the one that best sums up what Pheek has been refining on Archipel Musique since founding the label in 2004: a technical hypnosis that doesn't need to raise the...
Twelve tracks, but only six titles: "Que No Te Cunta," "Stop," "Move," "Falso Asado," "No Mires Mucho Atras" and "Fenix Intro" unfold across twelve versions, and almost half the record —...
Corpus Sonus opens with three remixes in a row — two from Plastique01, one from Tec.Nico — before FA:B's first Original Mix even shows up. That's an unusual running order: the record lets other hands define the entrance, then reveals the...
Before we get to the booth, one fact reframes everything: '2021-2026' is the farewell release from positivesource, the Berlin label Philippa Pacho and Blue Hour built mid-pandemic to, in their own words, 'bring people together',...
The fastest cut on the record is also the shortest: Toobris' 'BREATH WORK' packs 141 BPM into just 4:38, raw techno holding its breath. At the opposite pole, the slowest is the longest: Cinthie closes with 'CAN'T GET...
Seven minutes at 107 BPM in C minor: Moon Patrol's '고요' opens the compilation like someone dimming the lights before the room fills. It is the only gentle gesture the record allows up front, because right after it Vayu drops...