Glasgow Underground Ibiza 2026

Fifty tracks spanning 120 to 134 BPM aren't meant to be played front to back: they're meant to be sorted. Read from the booth, 'Glasgow Underground Ibiza 2026' covers every stretch of the night, and the keys do a lot of the heavy lifting. The warm-up lives in the organic block at 120-122: 'Luz' by O.L.D and Hacelen Royer (C minor), JOHANNSON's 'Enchantment' (F minor) and 'Tabalear' by Kirr and Belyi (Gb minor) build without demanding anything. There's a free transition right there: 'Venez' by Steve Reason and Mallin (A minor, 122) into 'What Remains' or 'The Feeling', both in A major at the same tempo — a modal shift without touching the pitch.

The ceiling sits at 130

For peak time, the strong drawer runs from 128 to 130: ESH's 'Peter Gunn' and Solardo's 'Outta Space' share F major at 130, while James Lee's 'You Better Work!' and 'Da Bass' answer from F minor at the same tempo — four harmonically interchangeable cards. The Solardo cut, seven-plus minutes the label released in 2025 over Max Romeo's 'Chase the Devil', is the natural final ramp. SEUNG's 'Electrified' stands alone at 134: it's either your peak or it stays out of the set.

• Opener: Mallin's 'You Said You Loved Me', the slowest cut of the lot (120), made for easing a room in.
• Long breather: Artic White's 'Paradigm', 7:24 at 123, the longest track — plenty of room for slow blends.
• Landing: Super Flu's remix of 'Work' with Denise Belfon, the only remix in the pack, brings everything back to 122.

Kevin McKay, who founded Glasgow Underground in 1997, turned it into a key British deep house imprint and relaunched it in 2011 — an era that saw Claptone and CamelPhat pass through — signs ten of the fifty cuts and shows up in every stretch: whoever programs the label also programs the night.