Nothing But… Trance Infinity, Vol. 06: 25 Tracks Expanding the Uplifting Universe
The Nothing But… Trance Infinity series returns with its sixth instalment, a 25-track compilation that ambitiously traverses the full spectrum of contemporary trance: from mid-tempo melodic progressive to peak-hour uplifting. With BPMs ranging between 123 and 142, the volume offers a dynamic palette suited both to home listeners and DJs hunting for versatile material.
Tracklist Highlights
The opener Redux. (Extended Mix) by 2nd Chemistry (136 BPM) sets the tone: crystalline arpeggiators and patient layering reminiscent of mid-2000s Anjunabeats. Your Fantasy by Chris Kayl (140 BPM, 7:08) is one of the standout moments: synthesiser layers stacked with purpose and a breakdown that melts the floor. Fire Wire by Sasha Vatoff pushes to 142 BPM with direct, uncompromising energy.
In the lower-tempo segment, High In Your Low by Ruslan Radriges & Somnia (123 BPM) and My Dream by Max Denoise, Louise Browne & Rinkarna (124 BPM) deliver ethereal vocal atmospheres leaning into introspective progressive trance. Set Me Free by Andy Newtz & Tara Greene is the definitive vocal track: 8:10 of emotional arc with a melodic hook that refuses to leave your head.
Production & Diversity
- Alive (Aimoon Extended Remix) – In Progress & Artyom Aery: at 8:41 the longest cut, building progressive tension with genuine craft.
- 1997 (The Anthem) – DJ Fantasia: a nostalgic nod to late-90s trance, epic pianos and a groove that bridges generations.
- Colourblind – Buzzard: 140 BPM and 6:34 of well-executed melodic trance.
- Daybreak (Tony Hang Extended Remix) – Rob-Z: a luminous closing remix that encapsulates the compilation's spirit.
- Golden Days – Abstract Vision and Space World – Evgeny Kruglov: shorter cuts functioning as palette cleansers between the heavyweights.
Volume 06 cements Trance Infinity as one of the go-to series for tracking the pulse of independent trance production. With no mainstream names crowding the spotlight, the compilation proves that the underground scene continues to generate consistently high-quality material.
