If you mix harmonically, the most useful stat on this Pyramide compilation is the key column: five of the twenty cuts live in A minor, and two of them —'Can You Feel' by Baby Doll House and 'These Things Happen' in Juan Chousa's hands— also share 120 BPM. That transition writes itself: from the brass-driven house opener into the longest cut of the set, 7:36 built to stretch out in the booth.
From 72 to 151 without losing the groove
Warm-up material sits in the low zone: 'Too Lainz' at 72 BPM, 'Mister Man' at 86 and LTJ's soul rework of 'Going In Circles' (97) carry the first hour without demanding a full floor. The hinge is 'Seafront', Gaudi alongside Daniele Baldelli at 100 BPM, and that name carries weight: Baldelli is the father of cosmic disco, manned the booth at Baia degli Angeli and opened the one at Cosmic, by Lake Garda, in 1979. He shows up twice here, since he also remixes 'Mirros' by DJ Rocca, Triorox and Giovanni Guidi in D minor, a key that cut shares with 'New Jurassik Funk' and 'Going In Circles': another harmonic bridge ready to use.
For the heavy stretch, three pieces set the ceiling:
- 'The Ghetto' by Jestofunk with Fred Wesley on trombone (113 BPM), a nineties Italian acid jazz classic in a 4:16 edit, ready for the deck.
- 'Corea' remixed by Alexander Robotnick (127 BPM): Florence's Maurizio Dami, author of the cult cut 'Problèmes d'Amour' (1983), pushes the track toward a more machine-like nu disco, built for the climax.
- 'House of Calypso' at 151 BPM, the absolute outlier: either ride it at half tempo or save it for an unhinged closer.
Landing on 'Just Like Funk' —Ab major, 110 BPM, three acts sharing the credit— brings the set back down to earth. The interesting part is that the album never orders its twenty cuts by energy: it forces the DJ to read it, and that bit of digging is exactly what turns it into a tool rather than a playlist.
Sources: Bandcamp · Wikipedia · Last.fm