From 121 BPM to the edge of 132
Evaporate VA011 is arranged as a Minimal / Deep Tech sequence whose track data makes it possible to read a broad route without leaving that shared classification. UZEF opens with “Veils” at 128 BPM, in A minor, running for 9:46. At the other end of the listed order sits Adelaid’s “Seductive Sound” at 130 BPM in C minor; between those points, the selection moves through a tempo span from 121 to 132 BPM.
The 125–128 BPM area contains much of the sequence. Santiago Gamell and Robert Ostan appear back to back at 125 BPM with “Magia” and “Apasa Butonul Ala Rosu”, while their listed keys move from E minor to G minor. Later, Jota Music places “Recalibrando” at 128 BPM in D major, and Duly reaches 130 BPM with “The Space Within”, also in D major. The tracklist therefore shows tempo and key correspondences without turning either into a fixed ordering rule.
Running times add another layer of variety. Petr Stancl’s “Breakfast” is the shortest entry at 4:58; adnan (DE)’s “Schattenspiel” reaches 9:54 and is the longest. Between those formats are pieces such as Ivan Goldenberg’s “Jupiter Meeting Saturn” (8:40), EASTMYND’s “Detachment” (8:27), and Gonzalo Seiffert’s “Daquirry” (8:21). Taken together, the repertoire runs for 4:02:19, a figure that establishes the project’s scale without assigning a single purpose to its individual selections.
One particularly useful detail lies in “Where It Leads”: Domavik and Ari (US) appear with both the original, at 124 BPM in G minor, and Edwar’s remix, at 128 BPM in D minor. That pairing makes two versions of the same title comparable within the release itself. The three A-minor entries —“Veils”, “Old Town”, and “LK11”— are not grouped together, while Crâne De Poule’s “Incognito Mode” carries the highest listed tempo at 132 BPM. The result is a map of titles, artists, keys, durations, and tempos that rewards close attention to the proposed order.