Five cuts in A minor and four in B-flat minor: before hearing a single bar, the key readout already suggests how to chain a good chunk of this thirteenth volume. For the first hour, the material sits in the lower band: Phumudzojack and Ebelina's 'Take Me To Galaxy' (112 BPM) and MJ da Soul's 'I Don't Want To Fall In Love' (117) warm things up unhurried, and Forteba's 'Sad Carpet' (116, F minor) is the warm-up pick with the most pedigree: behind the alias is Hungarian producer Krisztian Dobrocsi, with years of deep house catalogue on Germany's Plastic City since his 2007 debut 'Space Between Us', as documented by Telekom Electronic Beats.
From warm-up to peak
The bulk of the record moves between 120 and 129 BPM, and that is the working zone. For peak time, Dos Santos (USA)'s 'I See You' touches the ceiling of that band at 129, with Vadimski's 'Desert Wind' (128, G major) and the 127 block —'Moog Talk', 'We Are Stars', 'Pump Your Heart' in Paolo Barbato's mix, 'Give Me More'— as adjacent ammunition. In A minor, Kaygo Soul's 'Afterglow', Tracksuit Society's 'Right Here, Right Now' and Gabi Fischer's 'Moog Talk' allow clean transitions between 122 and 127, with a natural jump to the two C major cuts, its direct relative: 'Spillopper I By'n' in KAPPEKOFF's remix and 'Its Not And Owl'.
Booth warnings: the first two titles, 'Comfort Zone' (140) and 'Klub Kulture' (146), sit far above the rest and ask for a different context; Milam's 'Go Far', at 92, works better as a breather or a closer than inside the flow. Watch the runtimes too: 'There She Is' (3:16) and 'Let It Be' (3:46) are short edits with little mixing room, while Steve Otto's 'Dark Dreams' hands you 8:04 in F minor to stretch the late night. Nothing But turns these series out in volume —its Beatport page stacks collections by the dozen— but the useful filter here is simple: key first, BPM second.
Sources: Electronic Beats · Beatport
