Thirteen BPM separate this selection's lowest point from its highest, and everything happens inside that narrow band. Fioretti's 'Lotus' opens at 120, and it's no small detail: 9:11 of patient minimal in G-flat minor, the longest and slowest cut of the 35, released on Cadenza, the label Luciano and Quenum founded in Switzerland in 2003, the one that set the template for organically minded minimal. Opening there is a statement: this music simmers.
From that base the curve climbs fast. Duky's 'Microdosing Minimal' bridges at 124, and between tracks three and nine the first 129-133 block settles in, crowned by KONXIOUS' 'Ride or Die', the first of two peaks at 133. Then the record breathes: Jota (CL) and the Jamahr remix drop to 126, Lucas Pizarro's 'No Entiendo' stretches out for 7:46 at 125, and the energy rebuilds layer by layer toward the second peak, Se Balloz's 'Kinetic Charge', 133 once more.
The 130 plateau
The second half is a different animal: it settles into a long 128-130 plateau — in fact, eleven of the 35 cuts lock in at exactly 130. Right inside it sits the only genre outlier: Jesse Perez's 'Interracial Booty Calls (2026 Mix)', house at 128 on his own Mr. Nice Guy imprint, Miami's home of 'gangsta house', fusing Miami Bass low end with hip-hop percussion since 2010. On a plateau this uniform, that shift in texture is worth more than any tempo jump.
The final stretch doesn't collapse — it cools off. After the last 132 surge of 'Space Bass' by Cesare vs Disorder, the curve eases down through 129, 127 and 125, then lifts just enough to close at 130 with 'What It Takes' by Marcellus (UK), one of three names appearing twice here alongside ACA (YU) and White Off. Sequenced as-is, this already works as a long set: warm-up, twin peaks, controlled landing. All that's missing is the booth.
Sources: RA · Wikipedia · Miami New Times · Traxsource
