Two figures break the grid of this selection: 80 and 68 BPM sitting inside a batch that otherwise lives between 124 and 129. 'Chicago 93' by Facundo Leiarz —also the longest cut at 6:48— and 'I Love You More Than You Love Her' by HU (IT) work as pressure valves: hinges to cool the room down, shift gears or open a set before getting down to business.
The body of the record is an extremely narrow plateau. Thirteen cuts fit between 124 and 128: 'Boundless' by Manti and 'Back To Oldschool' by Wurtz and Shared System set the floor at 124; 'Lost Somewhere' by Mezomo and 'Samurai' by Dave Bushi settle the 125 mark; and from there the energy climbs one BPM at a time: 'Seek', 'Come With Me' and CENKK's remix of 'Seiryuu' at 126, 'Van Kete' by fran&co and 'Pentada' by Goom Gum at 127, and 'Don't Stop', 'Analog Dreams' and 'All I Want' at 128. That's the cruising lane: an hour of dancefloor without touching the pitch fader.
The ceiling belongs to the veterans
Above 130 sits the natural closing stretch: 'I Bite' by ANII (131), Alexion's remix of 'Dream with Me' (133) and, at the far end, the 136 BPM of 'Escape' in the hands of Dusty Kid. It's no accident that the ceiling is signed by Paolo Lodde, a classically trained pianist from Sardinia with a catalogue on Systematic —precisely the label releasing this cut—, Bpitch Control and Mau5trap. One step below, the 129 of 'Solstice' carries the signature of Canadian producer Weska, a regular on Drumcode and Cocoon, bridging the plateau and the final sprint.
Sequenced this way —start at 124, climb step by step, use the half-tempo cuts as hinges and close from 131 to 136— the chart reads less like a list and more like the blueprint of a festival set: the energy never jumps, it accumulates.
Sources: RA · Beatport