Twelve titles, two ways of reading tempo
No Noise, Just Truth orders twelve German Brigante productions across 55:48 for Manitox. “Jealous” opens as an Electronica Original Mix: 2:24, 160 BPM and C minor. “Lights On” closes with the same classification, also as an Original Mix, but at 2:30, 120 BPM and E minor. Those two pieces frame the release through the Electronica tag and a 40 BPM span, while the central section is credited as Melodic House & Techno.
Within that section, “No Human Error” begins at 122 BPM, F major and 5:33. “Tanalorr” and “I Will Be Your Light” share 126 BPM and run 4:51/5:17, in A major and G major respectively. “Back to the Old School” adds a single BPM to reach 127, shifts to D minor and lasts 4:48. The closeness of those figures does not remove the key changes; instead, it leaves them as the detail distinguishing titles of comparable length.
“Geonosis” interrupts that 122–127 BPM zone: it is listed at 160 BPM, B-flat major and 5:38, the longest duration here. Afterwards, “The Backroom” returns to 122 BPM and G-flat major. “Haters” and “The Dark Side” sit at 123 BPM, in A minor and G-flat major; the latter, at 4:16, is the shortest of the Extended versions. “El Karma Les Llega a Todos” resumes 126 BPM, F major and 5:35, before “That's All Me” at 123 BPM and A major.
The repertoire contains no collaborating artists: every artist credit belongs to German Brigante. Ten Extended titles hold the centre of the order, while “Jealous” and “Lights On” serve as its two Electronica Original Mixes. A major, F major and G-flat major occur twice each; every other key occurs once. The organisation can therefore be read through the alternation of formats, BPM and keys, without requiring information beyond the tracklist itself.