Divinity opens with a detail worth flagging before building a set: Veak's tracklist carries two distinct tempo readings, 87-88 and 108-109, and they don't feel the same even though both live inside the same jungle/drum & bass record. Six of the ten tracks — Mayhem, Carnage, Infinite Horizon, Pegasus, Rotations, We All Need That Funk — sit in the lower band; the other four — Nucleus, Lunar Echoes, Solar Storm and the title track — climb to 108-109. For the booth, that's more than metadata trivia: it marks two separate engines inside one release.
Mayhem opens the record at 3:42, the shortest cut on the tracklist, with Carnage right behind it in G Minor — the natural, no-filler start. Infinite Horizon shares Mayhem's key (B Major), so circling back to it mid-set costs nothing harmonically. The real energy jump lands with Nucleus, which picks up Carnage's G Minor but pushes it to 109 bpm — same tonal center, different pulse: the exact spot where a set can climb without the mix reading as forced.
Rotations (C Minor) and We All Need That Funk (D Minor) work better as connective tissue than as peaks: both sit at 88 and hold the groove steady before the second fast block. That block is Lunar Echoes (G Major, 108) and Solar Storm (F Major, 108), the record's only two major-key cuts, which break up the minor-key majority and open some air before the close.
Divinity closes at 109 in Gb Major, one of the few keys on the record with no direct harmonic neighbor — it plays better as a block-ender than a smooth-transition piece. Dubplate Supplier, the label Veak has run his own releases through for years, doesn't stray from that formula: jungle with modern pressure, built for the booth first and armchair listening second.
Sources: Drum & Bass UK